Johnson, Beth(2009) Masochism and The Mother, Pedagogy and Perversion, Angelaki, 14: 3, 117 — 130.
Lainaus artikkelin alkupuolelta: "Essentially, whereas Jelinek’s text can be understood as a fictional case study of perversion (of female masochism), Haneke’s film functions to stage the diagnosis of perversion rather than to present it."
Tarkastelu jatkuu yhteiskunnallisista allegorioista: "While Jelinek’s text can be read at a micro level as a dissection of the dysfunctional family – a text that is particularly revealing in terms of the subjugation of women – at a macro level her text takes on a national significance and can be read as an allegory on the perverse state of the Austrian nation, fatherland of both Adolf Hitler and Sigmund Freud."
Artikkeliin viitataan mm. seuraavissa yhteyksissä:
* Walker, Elsie. Hearing Haneke: The sound tracks of a radical auteur. Oxford University Press, 2017. Sisältää analyysia Michael Haneken filmien soundtrackeista.
* van Heerden, C. G. (2019). To Be Done with the Possible, To No Longer Possibilate: Considering the Masochist as the Figure of Exhaustion. Deleuze and Guattari Studies, 13(2), 186-206. Gilles Deleuzen kolme näkökulmaa masokismiin: as a pleasure–pain alliance, as an enactment of humiliation and slavery, and as a consideration of the enslavement of contractual relations
* Godón, Nuria. La pasión esclava. Vol. 71. Purdue University Press, 2018. Tarkastelee Leopoldo Alas y Ureñan romaania La Regenta.
Nai, sinä onnellinen Itävalta (Tu, felix Austria, nube!) on joko Unkarin kuningas Maximilian I:n tai herttua Rudolf IV:n sanonta.
Edit: typo.
